![\"\"](\"https:\/\/kronos-art.com\/bcn\/wp-content\/uploads\/2019\/07\/ricardo_iglesias.jpg\")
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Ricardo Iglesias – [ca]<\/strong><\/p>\n Des de la seva aparici\u00f3, la fotografia ha assumit l’estatus de \u00abregistre del real\u00bb, i les tecnologies actuals han incidit en les seves caracter\u00edstiques fonamentals: ser reprodu\u00efble i manipulable. La realitat presentada, representada, no \u00e9s una realitat \u00fanica i tancada, sin\u00f3 que, dep\u00e8n de qui prengui la foto, podr\u00edem parlar de realitats subjectives, po\u00e8tiques, fict\u00edcies, i fins i tot falsejades. [en] <\/strong><\/p>\n From its outset, photography has assumed the status of \u00abregistration of the real\u00bb and current technologies have influenced its fundamental characteristics: being reproducible and manipulable. The reality presented, represented, is not a unique and closed reality, but it depends on who takes the picture, it could talk about subjective, poetic, fictitious, and even falsified realities. [es]<\/strong><\/p>\n Desde su aparici\u00f3n, la fotograf\u00eda ha asumido el status de \u00abregistro de lo real\u00bb, y las tecnolog\u00edas actuales han incidido en sus caracter\u00edsticas fundamentales: ser reproducible y manipulable. La realidad presentada, representada, no es una realidad \u00fanica y cerrada, sino que, depende de qui\u00e9n tome la foto, podr\u00edamos hablar de realidades subjetivas, po\u00e9ticas, ficticias, e incluso falseadas. https:\/\/www.flickr.com\/photos\/riglesias00<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"Ricardo Iglesias – Fotograf\u00edo gente que fotograf\u00eda ARTE! – 2007 – www.flickr.com\/photos\/riglesias00 installation \/ net.art – [ca] Des de la seva aparici\u00f3, la fotografia ha assumit l’estatus de \u00abregistre del real\u00bb, i les tecnologies actuals han incidit en les seves caracter\u00edstiques fonamentals: ser reprodu\u00efble i manipulable. La realitat presentada, representada, no \u00e9s una realitat \u00fanica… Ver art\u00edculo<\/a>","protected":false},"author":1,"featured_media":2420,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[2],"tags":[14],"class_list":["post-1029","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-artistas","tag-present-2019-installation"],"acf":[],"yoast_head":"\n
\nFotograf\u00edo gente que fotograf\u00eda ARTE!
\n– 2007 – www.flickr.com\/photos\/riglesias00
\ninstallation \/ net.art – <\/p>\n
\nFa temps que l’objecte d’art va ser socialitzat en museus i mostres internacionals, per\u00f2 la necessitat de \u00abposseir\u00bb l’objecte ha produ\u00eft legions d’admiradors que c\u00e0mera en m\u00e0 registren el seu record, pres\u00e8ncia, i ess\u00e8ncia davant la impossibilitat de tenir l’obra en si mateixa. <\/p>\n
\nThe object of art has been socialized for a long time in museums and international exhibitions, but the need to \u00abown\u00bb the object has produced legions of fans that camera in hand, capture its memory, presence, and essence, facing the impossibility of having the artwork in itself.<\/p>\n
\nHace tiempo que el objeto de arte fue socializado en museos y muestras internacionales, pero la necesidad de \u00abposeer\u00bb el objeto ha producido legiones de admiradores que c\u00e1mara en mano registran su recuerdo, presencia, y esencia ante la imposibilidad de tener la obra en s\u00ed misma.<\/p>\n